PORTLAND, OREGON - There is no secret to drawing comics. Draw all your female characters with odd proportions, have them wear skin-tight outfits with their boobs hanging out, then have all the dudes have their teeth clenched, make sure they have a dark past that has come back to haunt them, punch a few dudes.
Done and done.
Everyone goes home with an Warner Brother’s animated series with Mickey Rourke in a villain role for your sequel.
[lights cigar with $100]
[puts feet on desk]
[gloats]

But is it that, sometimes (OK, a LOT of times), comics that people seem to think are great just don’t translate to the movies? Does it mean that if the movie sucks, the comics sucks? Generally not. And generally it is because comics are a lot more subtle in their machinations than most people will give credit for…
Where turning the right phrase with the right tempo and finding exactly the right word can evoke a reaction in text, comics have their own ways of either twanging heartstrings or causing righteous fury and do so with their own set of rules and techniques.
Perhaps the most accessible and entertaining entrance to this quiet world of ink and bristol board is the subject of this weeks…
Understanding Comics: The Invisible Art

Written & Illustrated by Scott McCloud
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