Friday Night Anime Block: Angel’s Egg
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15 years before the world ended (that would be 1985 for those of you keeping score) Mamoru Oshii gave the us this gem; his directorial debut, Angel’s Egg.
It’s minimalism rivals that of Beckett’s Waiting for Godot, and ironically also like Beckett, when he was questioned as to what it was about, he replied “I don’t know”. It’s my belief that Oshii chose to speak with the image rather than the word. Beckett, of course, was writing a play. Dialogue was something of a necessity. Oshii was under no such limitations however, and one of the true beauties of this film is that the lushness of the landscape, the haunting environment portrayed, speaks in greater volume than the characters would ever need to. As such, the dialog is minimal, serving primarily add appropriate counterpoint to the story already being played out.
In many ways it shares these aesthetic similarities with a much later (though indeed, truly excellent) film Les triplettes de Belleville. While worlds apart in storyline the two both focus the viewer’s attention on the detail of the portrayed world by honing precisely in on those elements that will bring the most life to it. I find it disheartening that this is one frequently overlooked by fans of anime.
But the best part about all this of course?
It’s simply Art that Had to be Made.
(Warning: Veoh embed. You’ll need their silly player to view the whole thing, I wasn’t able to find a full copy elsewhere.)
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